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Beyond Re-Animator

Beyond Re-Animator

Horror · Comedy · Science Fiction · 2003

Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West's limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier.

Movie details

Beyond Re-Animator

“They thought prison would be the death of him. But for Dr. West, death is only the beginning.”

2003 Horror · Comedy · Science Fiction 1h 35m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West's limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Beyond Re-Animator?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Brian Yuzna

Written by

José Manuel Gómez · Miguel Tejada-Flores

Jeffrey Combs

Jeffrey Combs

Dr. Herbert West

Jason Barry

Jason Barry

Dr. Howard Phillips

Elsa Pataky

Elsa Pataky

Laura Olney

Enrique Arce

Enrique Arce

Cabrera

N

Nico Baixas

Moses

Lolo Herrero

Lolo Herrero

Sergeant Moncho

Raquel Gribler

Raquel Gribler

Vanessa

Court is in session

Put Beyond Re-Animator on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.