“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Abigail
Horror · Thriller · Comedy · 2024
A group of criminals kidnap a teenage ballet dancer, the daughter of a notorious gang leader, in order to obtain a ransom of $50 million, but over time, they discover that she is not just an ordinary girl. After the kidnappers begin to diminish, one by one, they discover, to their increasing horror, that they are locked inside with no normal little girl.
Abigail
“Children can be such monsters.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
A group of criminals kidnap a teenage ballet dancer, the daughter of a notorious gang leader, in order to obtain a ransom of $50 million, but over time, they discover that she is not just an ordinary girl. After the kidnappers begin to diminish, one by one, they discover, to their increasing horror, that they are locked inside with no normal little girl.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Abigail?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Matt Bettinelli-Olpin · Tyler Gillett
Written by
Stephen Shields · Guy Busick
Put Abigail on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






