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House of Sand and Fog

House of Sand and Fog

Drama · 2003

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Movie details

House of Sand and Fog

“Some dreams can't be shared.”

2003 Drama 2h 6m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over House of Sand and Fog?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Vadim Perelman

Written by

Shawn Lawrence Otto · Vadim Perelman

Jennifer Connelly

Jennifer Connelly

Kathy

Ben Kingsley

Ben Kingsley

Behrani

Ron Eldard

Ron Eldard

Lester

Frances Fisher

Frances Fisher

Connie Walsh

Kim Dickens

Kim Dickens

Carol Burdon

Shohreh Aghdashloo

Shohreh Aghdashloo

Nadi

Jonathan Ahdout

Jonathan Ahdout

Esmail

Court is in session

Put House of Sand and Fog on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.