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The Wedding Singer

The Wedding Singer

Romance · Comedy · 1998

Robbie, a local rock star turned wedding singer, is dumped on the day of his wedding. Meanwhile, waitress Julia finally sets a wedding date with her fiancée Glenn. When Julia and Robbie meet and hit it off, they find that things are more complicated than anybody thought.

Movie details

The Wedding Singer

“He's gonna party like it's 1985!”

1998 Romance · Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Robbie, a local rock star turned wedding singer, is dumped on the day of his wedding. Meanwhile, waitress Julia finally sets a wedding date with her fiancée Glenn. When Julia and Robbie meet and hit it off, they find that things are more complicated than anybody thought.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wedding Singer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Frank Coraci

Written by

Tim Herlihy

Adam Sandler

Adam Sandler

Robbie Hart

Drew Barrymore

Drew Barrymore

Julia Sullivan

Christine Taylor

Christine Taylor

Holly Sullivan

Allen Covert

Allen Covert

Sammy

Matthew Glave

Matthew Glave

Glenn Gulia

Ellen Albertini Dow

Ellen Albertini Dow

Rosie

Angela Featherstone

Angela Featherstone

Linda

Court is in session

Put The Wedding Singer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.