“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Jumpin' Jack Flash
Romance · Comedy · Thriller · 1986
Terry works for a bank, and uses computers to communicate with clients all over the world. One day, she gets a strange coded message from an unknown source. After decoding the message, Terry becomes embroiled in an espionage ring. People are killed, and Terry is chased. Throughout, she remains in contact with this mysterious person, who needs Terry's help save his life.
Jumpin' Jack Flash
“A man named Jack has got her jumpin' and the world may never be the same!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
Terry works for a bank, and uses computers to communicate with clients all over the world. One day, she gets a strange coded message from an unknown source. After decoding the message, Terry becomes embroiled in an espionage ring. People are killed, and Terry is chased. Throughout, she remains in contact with this mysterious person, who needs Terry's help save his life.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Jumpin' Jack Flash?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Penny Marshall
Written by
Chris Thompson · David Franzoni · Charles Shyer · Nancy Meyers
Put Jumpin' Jack Flash on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






