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Undertaking Betty

Undertaking Betty

Comedy · Romance · 2002

A politician's wife and the mortician who has secretly loved her for years plan to fake her death so they can run away together.

Movie details

Undertaking Betty

“Sometimes finding true love can be the death of you.”

2002 Comedy · Romance 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A politician's wife and the mortician who has secretly loved her for years plan to fake her death so they can run away together.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Undertaking Betty?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Students Hayley and James are young and in love. After saying goodbye for Christmas at a London train station, they both make the same mad split-second decision to swap trains and surprise each other. Passing each other in the station, they are completely unaware that they have just swapped Christmases.

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That Touch of Mink

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The Wrong Paris

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Where it lives

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Names above the title

The people responsible.

Directed by

Nick Hurran

Written by

Fred Ponzlov

Brenda Blethyn

Brenda Blethyn

Betty Rhys-Jones

Alfred Molina

Alfred Molina

Boris Plots

Naomi Watts

Naomi Watts

Meredith Mainwaring

Lee Evans

Lee Evans

Delbert

Robert Pugh

Robert Pugh

Hugh Rhys-Jones

Christopher Walken

Christopher Walken

Frank Featherbed

Jerry Springer

Jerry Springer

Jerry Springer

Court is in session

Put Undertaking Betty on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.