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Inferno

Inferno

Action · Drama · Romance · 1999

Eddie Lomax is a drifter who has been in a suicidal funk since the death of his close friend Johnny. Riding his motorcycle into a small desert town where Johnny once lived, Lomax is confronted by a gang of toughs, who beat him and steal his bike. However, Lomax is not a man to take an injustice lying down, and soon he begins exacting a violent revenge on the men who stole his motorcycle, with local handyman Jubal Early lending a hand and several area ladies offering aid and comfort.

Movie details

Inferno

“Left for dead. Burning for revenge”

1999 Action · Drama · Romance 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Eddie Lomax is a drifter who has been in a suicidal funk since the death of his close friend Johnny. Riding his motorcycle into a small desert town where Johnny once lived, Lomax is confronted by a gang of toughs, who beat him and steal his bike. However, Lomax is not a man to take an injustice lying down, and soon he begins exacting a violent revenge on the men who stole his motorcycle, with local handyman Jubal Early lending a hand and several area ladies offering aid and comfort.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Inferno?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John G. Avildsen

Written by

Tom O'Rourke

Jean-Claude Van Damme

Jean-Claude Van Damme

Eddie Lomax

Pat Morita

Pat Morita

Jubal Early

Danny Trejo

Danny Trejo

Johnny Six Toes

Gabrielle Fitzpatrick

Gabrielle Fitzpatrick

Rhonda Reynolds

Larry Drake

Larry Drake

Ramsey Hogan

Vincent Schiavelli

Vincent Schiavelli

Mr. Singh

D

David "Shark" Fralick

Matt Hogan

Court is in session

Put Inferno on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.