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Birth

Birth

Drama · Mystery · 2004

It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.

Movie details

Birth

“Careful what you wish for.”

2004 Drama · Mystery 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Birth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Premonition

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Fathers and Daughters

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Othello

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Drama · 1951

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Where it lives

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Names above the title

The people responsible.

Directed by

Jonathan Glazer

Written by

Jean-Claude Carrière · Milo Addica · Jonathan Glazer

Nicole Kidman

Nicole Kidman

Anna

Cameron Bright

Cameron Bright

Young Sean

Danny Huston

Danny Huston

Joseph

Lauren Bacall

Lauren Bacall

Eleanor

Alison Elliott

Alison Elliott

Laura

Arliss Howard

Arliss Howard

Bob

Michael Desautels

Michael Desautels

Sean

Court is in session

Put Birth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.