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Self Reliance

Self Reliance

Comedy · Thriller · 2024

When a man is offered a million dollars to play a game in which hunters try to kill him, he thinks he has found the perfect loophole: they can only attack when he’s alone. His only problem is that none of his friends or family believe the game is real. Forced to seek companionship in unexpected places, he navigates the bizarre challenge with humor, paranoia, and a surprising search for connection.

Movie details

Self Reliance

“Surviving is all about the company you keep.”

2024 Comedy · Thriller 1h 31m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

When a man is offered a million dollars to play a game in which hunters try to kill him, he thinks he has found the perfect loophole: they can only attack when he’s alone. His only problem is that none of his friends or family believe the game is real. Forced to seek companionship in unexpected places, he navigates the bizarre challenge with humor, paranoia, and a surprising search for connection.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Self Reliance?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Running Man

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Names above the title

The people responsible.

Directed by

Jake Johnson

Written by

Jake Johnson

Jake Johnson

Jake Johnson

Tommy

Anna Kendrick

Anna Kendrick

Maddy

Natalie Morales

Natalie Morales

Theresa

Andy Samberg

Andy Samberg

Andy Samberg

Mary Holland

Mary Holland

Amy

Emily Hampshire

Emily Hampshire

Mary

Nancy Lenehan

Nancy Lenehan

Laurie

Court is in session

Put Self Reliance on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Auteur Devotee

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.