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Death Race 2000

Death Race 2000

Action · Science Fiction · Comedy · 1975

In a boorish future, the government sponsors a popular, but bloody, cross-country race in which points are scored by mowing down pedestrians. Five teams, each comprised of a male and female, compete using cars equipped with deadly weapons. Frankenstein, the mysterious returning champion, has become America's hero, but this time he has a passenger from the underground resistance.

Movie details

Death Race 2000

“In the year 2000, hit and run driving is no longer a felony. It's the national sport!”

1975 Action · Science Fiction · Comedy 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In a boorish future, the government sponsors a popular, but bloody, cross-country race in which points are scored by mowing down pedestrians. Five teams, each comprised of a male and female, compete using cars equipped with deadly weapons. Frankenstein, the mysterious returning champion, has become America's hero, but this time he has a passenger from the underground resistance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Death Race 2000?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul Bartel

Written by

Charles B. Griffith · Robert Thom

David Carradine

David Carradine

Frankenstein

Simone Griffeth

Simone Griffeth

Annie Smith

Sylvester Stallone

Sylvester Stallone

Machine Gun Joe Viterbo

Mary Woronov

Mary Woronov

Calamity Jane

Roberta Collins

Roberta Collins

Matilda the Hun

Martin Kove

Martin Kove

Nero the Hero

Louisa Moritz

Louisa Moritz

Myra

Court is in session

Put Death Race 2000 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.