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Dirty Dancing: Havana Nights

Dirty Dancing: Havana Nights

Romance · Drama · 2004

In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

Movie details

Dirty Dancing: Havana Nights

“Break the rules. Find your freedom. Live your life.”

2004 Romance · Drama 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dirty Dancing: Havana Nights?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Guy Ferland

Written by

Boaz Yakin · Victoria Arch · Peter Sagal · Kate Gunzinger

Diego Luna

Diego Luna

Javier Suarez

Romola Garai

Romola Garai

Katey Miller

Sela Ward

Sela Ward

Jeannie Miller

John Slattery

John Slattery

Bert Miller

Jonathan Jackson

Jonathan Jackson

James Phelps

January Jones

January Jones

Eve

Mika Boorem

Mika Boorem

Susie Miller

Court is in session

Put Dirty Dancing: Havana Nights on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.