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The Scarlet Letter

The Scarlet Letter

Drama · Romance · 1995

Set in puritanical Boston in the mid 1600s, the story of seamstress Hester Prynne, who is outcast after she becomes pregnant by a respected reverend. She refuses to divulge the name of the father, is "convicted" of adultery and forced to wear a scarlet "A" until an Indian attack unites the Puritans and leads to a reevaluation of their laws and morals.

Movie details

The Scarlet Letter

“When intimacy is forbidden and passion is a sin, love is the most defiant crime of all.”

1995 Drama · Romance 2h 15m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Set in puritanical Boston in the mid 1600s, the story of seamstress Hester Prynne, who is outcast after she becomes pregnant by a respected reverend. She refuses to divulge the name of the father, is "convicted" of adultery and forced to wear a scarlet "A" until an Indian attack unites the Puritans and leads to a reevaluation of their laws and morals.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Scarlet Letter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Roland Joffé

Written by

Douglas Day Stewart

Demi Moore

Demi Moore

Hester Prynne

Gary Oldman

Gary Oldman

Rev. Arthur Dimmesdale

Robert Duvall

Robert Duvall

Roger Chillingworth

Lisa Andoh

Lisa Andoh

Mituba

Edward Hardwicke

Edward Hardwicke

Gov. John Bellingham

Robert Prosky

Robert Prosky

Horace Stonehall

Roy Dotrice

Roy Dotrice

Rev. Thomas Cheever

Court is in session

Put The Scarlet Letter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.