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You Ain't Seen Nothin' Yet

You Ain't Seen Nothin' Yet

Drama · 2012

From beyond the grave, celebrated playwright Antoine d'Anthac gathers all his friends who have appeared over the years in his play 'Eurydice'. These actors watch a recording performed by a young acting company, La Compagnie de la Colombe. Do love, life, death and love after death still have any place on a theater stage? It's up to them to decide. And the surprises have only just begun...

Movie details

You Ain't Seen Nothin' Yet

2012 Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

From beyond the grave, celebrated playwright Antoine d'Anthac gathers all his friends who have appeared over the years in his play 'Eurydice'. These actors watch a recording performed by a young acting company, La Compagnie de la Colombe. Do love, life, death and love after death still have any place on a theater stage? It's up to them to decide. And the surprises have only just begun...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over You Ain't Seen Nothin' Yet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alain Resnais

Written by

Laurent Herbiet · Alain Resnais

Lambert Wilson

Lambert Wilson

Orphée #2

Mathieu Amalric

Mathieu Amalric

M. Henri

Michel Piccoli

Michel Piccoli

Le père

Anne Consigny

Anne Consigny

Eurydice #2

Sabine Azéma

Sabine Azéma

Eurydice #1

Hippolyte Girardot

Hippolyte Girardot

Dulac

Denis Podalydès

Denis Podalydès

Antoine

Court is in session

Put You Ain't Seen Nothin' Yet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.