“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Resurrection
Crime · Mystery · Horror · 1999
A jaded homicide detective has been put on the case of a ruthless killer in the city of Chicago, who leaves a trail of horribly mutilated and dismembered corpses along with perversely ironic biblical quotes.
Resurrection
“He's coming.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
A jaded homicide detective has been put on the case of a ruthless killer in the city of Chicago, who leaves a trail of horribly mutilated and dismembered corpses along with perversely ironic biblical quotes.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Resurrection?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Russell Mulcahy
Written by
Christopher Lambert · Brad Mirman
Put Resurrection on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.





