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Deliver Us from Evil

Deliver Us from Evil

Thriller · Crime · Horror · 2014

When a frightening wave of violence sweeps through New York City, troubled cop Sarchie fails to find a rational explanation for the bizarre crimes. However, his eyes are opened to a frightening alternate reality when renegade Jesuit priest Mendoza convinces him that demonic possession may be to blame for the gruesome murders. Together, they wage a valiant supernatural struggle to rid the city of an otherworldly evil.

Movie details

Deliver Us from Evil

“You haven't seen true evil.”

2014 Thriller · Crime · Horror 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

When a frightening wave of violence sweeps through New York City, troubled cop Sarchie fails to find a rational explanation for the bizarre crimes. However, his eyes are opened to a frightening alternate reality when renegade Jesuit priest Mendoza convinces him that demonic possession may be to blame for the gruesome murders. Together, they wage a valiant supernatural struggle to rid the city of an otherworldly evil.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Deliver Us from Evil?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Scott Derrickson

Written by

Scott Derrickson · Paul Harris Boardman

Eric Bana

Eric Bana

Ralph Sarchie

Edgar Ramírez

Edgar Ramírez

Mendoza

Olivia Munn

Olivia Munn

Jen

Chris Coy

Chris Coy

Jimmy

Dorian Missick

Dorian Missick

Gordon

Sean Harris

Sean Harris

Santino

Joel McHale

Joel McHale

Butler

Court is in session

Put Deliver Us from Evil on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Restraint trusts the audience.”

It leaves emotional space unlabelled, trusting viewers to notice what the characters cannot say aloud.

The prosecution The Sentimental Softie

“Distance mistaken for discipline.”

The chill may look elegant, but withholding a heartbeat is not the same as having complicated feelings.