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Die My Love

Die My Love

Drama · 2025

After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.

Movie details

Die My Love

“Everything. Is. Fine.”

2025 Drama 1h 59m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

After inheriting a remote Montana house, Jackson moves there from New York with his partner Grace, and the couple soon welcome a child. As Jackson becomes increasingly absent and rural isolation sets in, Grace struggles with loneliness, creative frustration, and unresolved emotional wounds. What begins as an attempt at renewal gradually turns into an intense psychological descent, placing strain on their relationship and exposing the fragile balance between love, identity, and motherhood.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Die My Love?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lynne Ramsay

Written by

Enda Walsh · Lynne Ramsay · Alice Birch

Jennifer Lawrence

Jennifer Lawrence

Grace

Robert Pattinson

Robert Pattinson

Jackson

Sissy Spacek

Sissy Spacek

Pam

LaKeith Stanfield

LaKeith Stanfield

Karl

Nick Nolte

Nick Nolte

Harry

Gabrielle Rose

Gabrielle Rose

Jen

Clare Coulter

Clare Coulter

Courtney

Court is in session

Put Die My Love on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.