“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Full Circle
Drama · Horror · Mystery · 1978
After the death of her daughter, wealthy housewife Julia Lofting abruptly leaves her husband and moves into an old Victorian home in London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.
Full Circle
“She had no one to play with for thirty years.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.2 / 10
3.3K votes
Metacritic
57 / 100
Metascore
TMDB
6.2 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
After the death of her daughter, wealthy housewife Julia Lofting abruptly leaves her husband and moves into an old Victorian home in London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Full Circle?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Richard Loncraine
Written by
Dave Humphries
Put Full Circle on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






