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Critters 2

Critters 2

Comedy · Horror · Science Fiction · 1988

Three bounty hunters from space fly back to the town of Grovers Bend, hoping to save local residents from a new batch of Critter eggs.

Movie details

Critters 2

“It's everyone's turn for seconds.”

1988 Comedy · Horror · Science Fiction 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Three bounty hunters from space fly back to the town of Grovers Bend, hoping to save local residents from a new batch of Critter eggs.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Critters 2?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Critters

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Comedy · 1986

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Mysterious alien Critters have crash-landed in a small college town, devouring every living thing they encounter. Drea and the kids she's babysitting must try desperately to save themselves from the ravenous, rolling beasts. Will Drea discover her inner badass, and will it be enough to stop the Critter onslaught?

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Where it lives

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Names above the title

The people responsible.

Directed by

Mick Garris

Written by

David Twohy · Mick Garris

Scott Grimes

Scott Grimes

Brad Brown

Liane Curtis

Liane Curtis

Megan

Don Keith Opper

Don Keith Opper

Charlie McFadden

Barry Corbin

Barry Corbin

Harv

Tom Hodges

Tom Hodges

Wesley

Sam Anderson

Sam Anderson

Mr. Morgan

Lindsay Parker

Lindsay Parker

Cindy

Court is in session

Put Critters 2 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.