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Colors

Colors

Action · Crime · Drama · 1988

A confident young cop is shown the ropes by a veteran partner in the dangerous gang-controlled barrios of Los Angeles, where the gang culture is enforced by the colors the members wear.

Movie details

Colors

“70,000 gang members. One million guns. Two cops.”

1988 Action · Crime · Drama 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A confident young cop is shown the ropes by a veteran partner in the dangerous gang-controlled barrios of Los Angeles, where the gang culture is enforced by the colors the members wear.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Colors?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Street Kings

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The Substitute

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Gangster Squad

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The Corruptor

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Assault on Precinct 13

Assault on Precinct 13

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Hard to Kill

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Code of Silence

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A Chicago cop is caught in the middle of a gang war while his own comrades shun him because he wants to take an irresponsible cop down.

Where it lives

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Names above the title

The people responsible.

Directed by

Dennis Hopper

Written by

Michael Schiffer

Sean Penn

Sean Penn

Danny McGavin

Robert Duvall

Robert Duvall

Bob Hodges

María Conchita Alonso

María Conchita Alonso

Louisa Gomez

Randy Brooks

Randy Brooks

Ron Delaney

Grand L. Bush

Grand L. Bush

Larry Sylvester

Don Cheadle

Don Cheadle

Rocket

Gerardo Mejía

Gerardo Mejía

Bird

Court is in session

Put Colors on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.