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The Messenger: The Story of Joan of Arc

The Messenger: The Story of Joan of Arc

Adventure · Drama · Action · 1999

In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.

Movie details

The Messenger: The Story of Joan of Arc

1999 Adventure · Drama · Action 2h 38m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Messenger: The Story of Joan of Arc?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Luc Besson

Written by

Andrew Birkin · Luc Besson

Milla Jovovich

Milla Jovovich

Joan of Arc

John Malkovich

John Malkovich

Charles VII

Faye Dunaway

Faye Dunaway

Yolande of Aragon

Dustin Hoffman

Dustin Hoffman

Joan's conscience

Pascal Greggory

Pascal Greggory

The Duke of Alençon

Vincent Cassel

Vincent Cassel

Gilles de Rais

Tchéky Karyo

Tchéky Karyo

Jean de Dunois

Court is in session

Put The Messenger: The Story of Joan of Arc on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.