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Straw Dogs

Straw Dogs

Thriller · Drama · Crime · 1971

David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate.

Movie details

Straw Dogs

“In the Face of Every Coward Burns a Straw Dog.”

1971 Thriller · Drama · Crime 1h 56m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Straw Dogs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sam Peckinpah

Written by

David Zelag Goodman · Sam Peckinpah

Dustin Hoffman

Dustin Hoffman

David Sumner

Susan George

Susan George

Amy

Peter Vaughan

Peter Vaughan

Tom Hedden

T. P. McKenna

T. P. McKenna

Maj. John Scott

Del Henney

Del Henney

Charlie Venner

Jim Norton

Jim Norton

Chris Cawsey

Donald Webster

Donald Webster

Riddaway

Court is in session

Put Straw Dogs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.