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How to Lose a Guy in 10 Days

How to Lose a Guy in 10 Days

Comedy · Romance · 2003

It's the battle of wills, as Andie needs to prove she can dump a guy in 10 days, whereas Ben needs to prove he can win a girl in 10 days. Now, the clock is ticking—and the wildly entertaining comedy smash is off and running in this irresistible tale of sex, lies and outrageous romantic fireworks!

Movie details

How to Lose a Guy in 10 Days

“One of them is lying. So is the other.”

2003 Comedy · Romance 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

It's the battle of wills, as Andie needs to prove she can dump a guy in 10 days, whereas Ben needs to prove he can win a girl in 10 days. Now, the clock is ticking—and the wildly entertaining comedy smash is off and running in this irresistible tale of sex, lies and outrageous romantic fireworks!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over How to Lose a Guy in 10 Days?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Donald Petrie

Written by

Brian Regan · Kristen Buckley · Burr Steers

Kate Hudson

Kate Hudson

Andie Anderson

Matthew McConaughey

Matthew McConaughey

Benjamin Barry

Kathryn Hahn

Kathryn Hahn

Michelle Rubin

Annie Parisse

Annie Parisse

Jeannie Ashcroft

Adam Goldberg

Adam Goldberg

Tony

Thomas Lennon

Thomas Lennon

Thayer

Michael Michele

Michael Michele

Judy Spears

Court is in session

Put How to Lose a Guy in 10 Days on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.