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Cobra

Cobra

Action · Crime · Thriller · 1986

A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.

Movie details

Cobra

“Crime is a disease. Meet the cure.”

1986 Action · Crime · Thriller 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cobra?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Jackal

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Lethal Weapon 4

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Lethal Weapon 3

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Riggs and Murtaugh pursue a former officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.

Lethal Weapon 2

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Code of Silence

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Where it lives

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Names above the title

The people responsible.

Directed by

George P. Cosmatos

Written by

Sylvester Stallone

Sylvester Stallone

Sylvester Stallone

Marion 'Cobra' Cobretti

Brigitte Nielsen

Brigitte Nielsen

Ingrid

Reni Santoni

Reni Santoni

Sergeant Gonzales

Brian Thompson

Brian Thompson

Night Slasher

Lee Garlington

Lee Garlington

Nancy Stalk

Art LaFleur

Art LaFleur

Captain Sears

Andrew Robinson

Andrew Robinson

Detective Monte

Court is in session

Put Cobra on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.