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Lords of Dogtown

Lords of Dogtown

Drama · 2005

The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever. Stacy Peralta, Tony Alva and Jay Adams are the Z-Boys, a bunch of nobodies until they create a new style of skateboarding that becomes a worldwide phenomenon. But when their hobby becomes a business, the success shreds their friendship.

Movie details

Lords of Dogtown

“They came from nothing to change everything.”

2005 Drama 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

The radical true story behind three teenage surfers from Venice Beach, California, who took skateboarding to the extreme and changed the world of sports forever. Stacy Peralta, Tony Alva and Jay Adams are the Z-Boys, a bunch of nobodies until they create a new style of skateboarding that becomes a worldwide phenomenon. But when their hobby becomes a business, the success shreds their friendship.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lords of Dogtown?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Catherine Hardwicke

Written by

Stacy Peralta

John Robinson

John Robinson

Stacy

Emile Hirsch

Emile Hirsch

Jay

Rebecca De Mornay

Rebecca De Mornay

Philaine

William Mapother

William Mapother

Donnie

Julio Oscar Mechoso

Julio Oscar Mechoso

Mr. Alva

Victor Rasuk

Victor Rasuk

Tony

Nikki Reed

Nikki Reed

Kathy Alva

Court is in session

Put Lords of Dogtown on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.