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Fletch
Comedy · Crime · Mystery · 1985
When investigative reporter Irwin "Fletch" Fletcher goes undercover to write a piece on the drug trade at a local beach, he's approached by wealthy businessman Alan Stanwyk, who offers him $50,000 to murder him. With sarcastic wit and a knack for disguises, Fletch sets out to uncover Stanwyk's story.
Movie details
Fletch
“Meet the only guy who changes his identity more often than his underwear.”
1985 Comedy · Crime · Mystery 1h 38m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
When investigative reporter Irwin "Fletch" Fletcher goes undercover to write a piece on the drug trade at a local beach, he's approached by wealthy businessman Alan Stanwyk, who offers him $50,000 to murder him. With sarcastic wit and a knack for disguises, Fletch sets out to uncover Stanwyk's story.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Fletch?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Michael Ritchie
Written by
Andrew Bergman
Chevy Chase
Irwin 'Fletch' Fletcher
Tim Matheson
Alan Stanwyk
Dana Wheeler-Nicholson
Gail Stanwyk
Joe Don Baker
Chief Jerry Karlin
Richard Libertini
Frank Walker
Geena Davis
Larry
M. Emmet Walsh
Dr. Joseph Dolan
Court is in session
Put Fletch on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.