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Fantastic Four

Fantastic Four

Action · Fantasy · Science Fiction · 2005

During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.

Movie details

Fantastic Four

“4 times the action. 4 times the adventure. 4 times the fantastic.”

2005 Action · Fantasy · Science Fiction 1h 46m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fantastic Four?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tim Story

Written by

Michael France · Mark Frost

Ioan Gruffudd

Ioan Gruffudd

Reed Richards

Jessica Alba

Jessica Alba

Sue Storm

Chris Evans

Chris Evans

Johnny Storm

Michael Chiklis

Michael Chiklis

Ben Grimm

Julian McMahon

Julian McMahon

Victor Von Doom

Hamish Linklater

Hamish Linklater

Leonard

Kerry Washington

Kerry Washington

Alicia Masters

Court is in session

Put Fantastic Four on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.