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The Lion King II: Simba's Pride

The Lion King II: Simba's Pride

Adventure · Animation · Drama · 1998

The circle of life continues for Simba, now fully grown and in his rightful place as the king of Pride Rock. Simba and Nala have given birth to a daughter, Kiara who's as rebellious as her father was. But Kiara drives her parents to distraction when she catches the eye of Kovu, the son of the evil lioness, Zira. Will Kovu steal Kiara's heart?

Movie details

The Lion King II: Simba's Pride

“The Circle of Life continues...”

1998 Adventure · Animation · Drama 1h 21m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

The circle of life continues for Simba, now fully grown and in his rightful place as the king of Pride Rock. Simba and Nala have given birth to a daughter, Kiara who's as rebellious as her father was. But Kiara drives her parents to distraction when she catches the eye of Kovu, the son of the evil lioness, Zira. Will Kovu steal Kiara's heart?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Lion King II: Simba's Pride?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Darrell Rooney

Written by

Cindy Marcus · Flip Kobler

Matthew Broderick

Matthew Broderick

Simba (voice)

Neve Campbell

Neve Campbell

Kiara (voice)

Jason Marsden

Jason Marsden

Kovu (voice)

Nathan Lane

Nathan Lane

Timon (voice)

Ernie Sabella

Ernie Sabella

Pumbaa (voice)

Andy Dick

Andy Dick

Nuka (voice)

Robert Guillaume

Robert Guillaume

Rafiki (voice)

Court is in session

Put The Lion King II: Simba's Pride on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.