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Gone in Sixty Seconds

Gone in Sixty Seconds

Action · Crime · Thriller · 2000

Ex-car thief Randall Raines is forced out of retirement to save his brother Kip after a boost gone wrong. With the help of allies old and new, they race to meet the demands of notorious crime boss Raymond Calitri as the police are in hot pursuit.

Movie details

Gone in Sixty Seconds

“Ice cold, hot wired.”

2000 Action · Crime · Thriller 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Ex-car thief Randall Raines is forced out of retirement to save his brother Kip after a boost gone wrong. With the help of allies old and new, they race to meet the demands of notorious crime boss Raymond Calitri as the police are in hot pursuit.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gone in Sixty Seconds?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Dominic Sena

Written by

Scott Rosenberg

Nicolas Cage

Nicolas Cage

Memphis Raines

Angelina Jolie

Angelina Jolie

Sara 'Sway' Wayland

Giovanni Ribisi

Giovanni Ribisi

Kip Raines

Robert Duvall

Robert Duvall

Otto Halliwell

Delroy Lindo

Delroy Lindo

Det. Roland Castlebeck

Timothy Olyphant

Timothy Olyphant

Detective Drycoff

Chi McBride

Chi McBride

Donny Astricky

Court is in session

Put Gone in Sixty Seconds on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.