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The House

The House

Drama · Comedy · Fantasy · 2022

Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?

Movie details

The House

2022 Drama · Comedy · Fantasy 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The House?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Anissa Bonnefont

Written by

Anissa Bonnefont · Diastème

Ana Girardot

Ana Girardot

Emma

Aure Atika

Aure Atika

Delilah

Rossy de Palma

Rossy de Palma

Brigida

Yannick Renier

Yannick Renier

Stéphane

Philippe Rebbot

Philippe Rebbot

Hermann

Gina Jimenez

Gina Jimenez

Madeleine

Nikita Bellucci

Nikita Bellucci

Hildie

Court is in session

Put The House on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.