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Rabbit-Proof Fence

Rabbit-Proof Fence

Adventure · Drama · History · 2002

In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.

Movie details

Rabbit-Proof Fence

“Follow your heart, follow the fence”

2002 Adventure · Drama · History 1h 34m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rabbit-Proof Fence?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Walkabout

Walkabout

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Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.

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Names above the title

The people responsible.

Directed by

Phillip Noyce

Written by

Christine Olsen

E

Everlyn Sampi

Molly Craig

T

Tianna Sansbury

Daisy Craig Kadibill

L

Laura Monaghan

Gracie Fields

David Gulpilil

David Gulpilil

Moodoo

Ningali Lawford

Ningali Lawford

Maud - Molly's Mother

M

Myarn Lawford

Molly's Grandmother

Deborah Mailman

Deborah Mailman

Mavis

Court is in session

Put Rabbit-Proof Fence on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.