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The Adventures of Ford Fairlane

The Adventures of Ford Fairlane

Comedy · Crime · Mystery · 1990

To the Los Angeles elite, Ford Fairlane is known as "Mr. Rock 'n' Roll Detective." This loudmouthed ladies' man serves an exclusive rock star clientele, who depend on his keen eye and smug discretion. So when a heavy-metal musician dies mid-concert, Fairlane is on the case before the lights come up. But things turn shocking when radio personality Johnny Crunch hires Fairlane to find a missing groupie mere hours before he is electrocuted live on air.

Movie details

The Adventures of Ford Fairlane

“Kojak. Columbo. Dirty Harry. Wimps.”

1990 Comedy · Crime · Mystery 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

To the Los Angeles elite, Ford Fairlane is known as "Mr. Rock 'n' Roll Detective." This loudmouthed ladies' man serves an exclusive rock star clientele, who depend on his keen eye and smug discretion. So when a heavy-metal musician dies mid-concert, Fairlane is on the case before the lights come up. But things turn shocking when radio personality Johnny Crunch hires Fairlane to find a missing groupie mere hours before he is electrocuted live on air.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Adventures of Ford Fairlane?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Renny Harlin

Written by

David Arnott · James Cappe · Daniel Waters

Andrew Dice Clay

Andrew Dice Clay

Ford Fairlane

Wayne Newton

Wayne Newton

Julian Grendel

Priscilla Presley

Priscilla Presley

Colleen Sutton

Morris Day

Morris Day

Don Cleveland

Lauren Holly

Lauren Holly

Jazz

Ed O'Neill

Ed O'Neill

Lt. Amos

Maddie Corman

Maddie Corman

Zuzu Petals

Court is in session

Put The Adventures of Ford Fairlane on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.