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Dead Ringers

Dead Ringers

Thriller · Horror · 1988

Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.

Movie details

Dead Ringers

“Two bodies. Two minds. One soul.”

1988 Thriller · Horror 1h 55m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dead Ringers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Cronenberg

Written by

David Cronenberg · Norman Snider

Jeremy Irons

Jeremy Irons

Beverly Mantle / Elliot Mantle

Geneviève Bujold

Geneviève Bujold

Claire Niveau

Heidi von Palleske

Heidi von Palleske

Cary

Barbara Gordon

Barbara Gordon

Danuta

Shirley Douglas

Shirley Douglas

Laura

Stephen Lack

Stephen Lack

Wolleck / Anders Wolleck

N

Nick Nichols

Leo

Court is in session

Put Dead Ringers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.