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Chariots of Fire

Chariots of Fire

Drama · History · 1981

In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.

Movie details

Chariots of Fire

“This is the story of two men who run, not to run, but to prove something to the world. They will sacrifice anything to achieve their goals... except their honor.”

1981 Drama · History 2h 3m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Chariots of Fire?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Hugh Hudson

Written by

Colin Welland

Ben Cross

Ben Cross

Harold Abrahams

Ian Charleson

Ian Charleson

Eric Liddell

Cheryl Campbell

Cheryl Campbell

Jennie Liddell

Alice Krige

Alice Krige

Sybil Gordon

Nigel Havers

Nigel Havers

Lord Andrew Lindsay

Ian Holm

Ian Holm

Sam Mussabini

Nicholas Farrell

Nicholas Farrell

Aubrey Montague

Court is in session

Put Chariots of Fire on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.