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The Home

The Home

Horror · Mystery · Thriller · 2025

A troubled man starts working at a retirement home and realizes its residents and caretakers harbor sinister secrets. As he investigates the building and its forbidden fourth floor, he starts to uncover connections to his own past and upbringing as a foster child.

Movie details

The Home

“Evil never gets old.”

2025 Horror · Mystery · Thriller 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A troubled man starts working at a retirement home and realizes its residents and caretakers harbor sinister secrets. As he investigates the building and its forbidden fourth floor, he starts to uncover connections to his own past and upbringing as a foster child.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Home?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.

Hush... Hush, Sweet Charlotte

Hush... Hush, Sweet Charlotte

Horror · 1964

An aging, reclusive Southern belle plagued by a horrifying family secret descends into madness after the arrival of a lost relative.

Watcher

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As a serial killer stalks the city, Julia — a young actress who just moved to town with her husband — notices a mysterious stranger watching her from across the street.

Cult Killer

Cult Killer

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A private investigator is forced into a dangerous alliance with a killer in order to uncover a quiet town’s grisly criminal underbelly and clear the name of her mentor, who is implicated in the crimes.

The Invisible Man

The Invisible Man

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When Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.

The Others

The Others

Horror · 2001

Grace is a woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.

Case 39

Case 39

Horror · 2009

In her many years as a social worker, Emily Jenkins believes she has seen it all, until she meets 10-year-old Lilith and the girl's cruel parents. Emily's worst fears are confirmed when the parents try to harm the child, and so Emily assumes custody of Lilith while she looks for a foster family. However, Emily soon finds that dark forces surround the seemingly innocent girl, and the more she tries to protect Lilith, the more horrors she encounters.

Hypnotic

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A detective becomes entangled in a mystery involving his missing daughter and a secret government program while investigating a string of reality-bending crimes.

Eyes of Laura Mars

Eyes of Laura Mars

Mystery · 1978

A famous fashion photographer develops a disturbing ability to see through the eyes of a serial killer.

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Names above the title

The people responsible.

Directed by

James DeMonaco

Written by

James DeMonaco · Adam Cantor

Pete Davidson

Pete Davidson

Max

John Glover

John Glover

Lou

Mugga

Mugga

Juno

Adam Cantor

Adam Cantor

Les

Bruce Altman

Bruce Altman

Doc Sabian

Denise Burse

Denise Burse

Sadie

Stuart Rudin

Stuart Rudin

Screaming Man

Court is in session

Put The Home on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.