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Do the Right Thing

Do the Right Thing

Drama · 1989

Sal is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

Movie details

Do the Right Thing

“It's the hottest day of the summer. You can do nothing, you can do something, or you can...”

1989 Drama 2h 0m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

Sal is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Do the Right Thing?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Spike Lee

Written by

Spike Lee

Danny Aiello

Danny Aiello

Sal

Ossie Davis

Ossie Davis

Da Mayor

Ruby Dee

Ruby Dee

Mother Sister

Richard Edson

Richard Edson

Vito

Giancarlo Esposito

Giancarlo Esposito

Buggin Out

Spike Lee

Spike Lee

Mookie

Bill Nunn

Bill Nunn

Radio Raheem

Court is in session

Put Do the Right Thing on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.