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The Beatles: Get Back - The Rooftop Concert

The Beatles: Get Back - The Rooftop Concert

Music · Documentary · 2022

On the 30th of January, 1969, the Beatles performed an unannounced concert from the rooftop of their Apple Corps headquarters at Savile Row, within central London's office and fashion district. Experience the final and unforgettable iconic performance of The Beatles in a special 60-minute presentation, digitally remastered into the image and sound quality of IMAX DMR technology.

Movie details

The Beatles: Get Back - The Rooftop Concert

“Experience their iconic final performance only in IMAX.”

2022 Music · Documentary 1h 5m

Critical arithmetic

One number, for now.

TMDB

8.0 / 10

Community rating

On the 30th of January, 1969, the Beatles performed an unannounced concert from the rooftop of their Apple Corps headquarters at Savile Row, within central London's office and fashion district. Experience the final and unforgettable iconic performance of The Beatles in a special 60-minute presentation, digitally remastered into the image and sound quality of IMAX DMR technology.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Beatles: Get Back - The Rooftop Concert?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Peter Jackson

John Lennon

John Lennon

Self (archive footage)

Paul McCartney

Paul McCartney

Self (archive footage)

George Harrison

George Harrison

Self (archive footage)

Ringo Starr

Ringo Starr

Self (archive footage)

Billy Preston

Billy Preston

Self (archive footage)

Yoko Ono

Yoko Ono

Self (archive footage)

Michael Lindsay-Hogg

Michael Lindsay-Hogg

Self (archive footage)

Court is in session

Put The Beatles: Get Back - The Rooftop Concert on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.