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Amen.

Amen.

Drama · History · 2002

Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is appalled to discover that a poison gas he helped discover is being used to kill Jews. Driven by his conscience to alert the rest of the world, Gerstein teams up with a young Jesuit priest, Riccardo Fontana, but their protestations fall on deaf ears in the Vatican.

Movie details

Amen.

“Two Men, Two Worlds, One Cause.”

2002 Drama · History 2h 12m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is appalled to discover that a poison gas he helped discover is being used to kill Jews. Driven by his conscience to alert the rest of the world, Gerstein teams up with a young Jesuit priest, Riccardo Fontana, but their protestations fall on deaf ears in the Vatican.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Amen.?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Costa-Gavras

Written by

Costa-Gavras · Jean-Claude Grumberg

Ulrich Tukur

Ulrich Tukur

Kurt Gerstein

Mathieu Kassovitz

Mathieu Kassovitz

Riccardo Fontana

Ulrich Mühe

Ulrich Mühe

The Doctor

Michel Duchaussoy

Michel Duchaussoy

Thr Cardinal

Marcel Iureș

Marcel Iureș

The Pope

Ion Caramitru

Ion Caramitru

Count Fontana

Friedrich von Thun

Friedrich von Thun

Gerstein's Father

Court is in session

Put Amen. on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.