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Birdman of Alcatraz

Birdman of Alcatraz

Drama · Crime · History · 1962

After killing a prison guard, convict Robert Stroud faces life imprisonment in solitary confinement. Driven nearly mad by loneliness and despair, Stroud's life gains new meaning when he happens upon a helpless baby sparrow in the exercise yard and nurses it back to health. Despite having only a third grade education, Stroud goes on to become a renowned ornithologist and achieves a greater sense of freedom and purpose behind bars than most people find in the outside world.

Movie details

Birdman of Alcatraz

“Inside the rock called Alcatraz they tried to chain a volcano they called 'The Bird Man'!”

1962 Drama · Crime · History 2h 27m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

After killing a prison guard, convict Robert Stroud faces life imprisonment in solitary confinement. Driven nearly mad by loneliness and despair, Stroud's life gains new meaning when he happens upon a helpless baby sparrow in the exercise yard and nurses it back to health. Despite having only a third grade education, Stroud goes on to become a renowned ornithologist and achieves a greater sense of freedom and purpose behind bars than most people find in the outside world.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Birdman of Alcatraz?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

John Frankenheimer

Written by

Guy Trosper

Burt Lancaster

Burt Lancaster

Robert Stroud

Karl Malden

Karl Malden

Harvey Shoemaker

Thelma Ritter

Thelma Ritter

Elizabeth Stroud

Neville Brand

Neville Brand

Bull Ransom

Betty Field

Betty Field

Stella Johnson

Telly Savalas

Telly Savalas

Feto Gomez

Edmond O'Brien

Edmond O'Brien

Tom Gaddis

Court is in session

Put Birdman of Alcatraz on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.