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Samsara

Samsara

Documentary · 2011

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

Movie details

Samsara

2011 Documentary 1h 42m

Critical arithmetic

The consensus, allegedly.

IMDb

8.4 / 10

39.1K votes

Rotten Tomatoes

75 %

Tomatometer

Metacritic

65 / 100

Metascore

TMDB

8.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Samsara?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Ron Fricke

Written by

Mark Magidson · Ron Fricke

N

Ni Made Megahadi Pratiwi

Dancer: Valinese Tari Legong Dancers, Indonesia

P

Puti Sri Candra Dewi

Dancer: Valinese Tari Legong Dancers, Indonesia

P

Putu Dinda Pratika

Dancer: Valinese Tari Legong Dancers, Indonesia

M

Marcos Luna

Tattoo Daddy: USA

H

Hiroshi Ishiguro

Professor and Robot Clone: Japan

O

Olivier De Sagazan

Man At Desk: France

L

Ladyboys of Cascade Bar

Dancers: Thailand

Court is in session

Put Samsara on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.