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Under Siege

Under Siege

Action · Thriller · 1992

A disgruntled ex-CIA operative, his assistant and their assembled group of terrorists seize a battleship with nuclear blackmail in mind. They've planned for every contingency but ignore the ship's cook, former Navy SEAL Casey Ryback—an error that could be fatal.

Movie details

Under Siege

“In 1992 a battleship's been sabotaged by nuclear pirates out to steal its warheads. Now, surrounded by terrorists, a lone man stands with a deadly plan of attack.”

1992 Action · Thriller 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A disgruntled ex-CIA operative, his assistant and their assembled group of terrorists seize a battleship with nuclear blackmail in mind. They've planned for every contingency but ignore the ship's cook, former Navy SEAL Casey Ryback—an error that could be fatal.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Under Siege?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Andrew Davis

Written by

J.F. Lawton

Steven Seagal

Steven Seagal

Casey Ryback

Tommy Lee Jones

Tommy Lee Jones

William Strannix

Gary Busey

Gary Busey

Commander Krill

Erika Eleniak

Erika Eleniak

Jordan Tate

Colm Meaney

Colm Meaney

Daumer

Damian Chapa

Damian Chapa

Tackman

Andy Romano

Andy Romano

Admiral Bates

Court is in session

Put Under Siege on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.