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The Wrath of God

The Wrath of God

Thriller · Drama · 2022

Convinced the tragic deaths of her loved ones were orchestrated by a famous novelist she worked for, Luciana turns to a journalist to expose her truth.

Movie details

The Wrath of God

2022 Thriller · Drama 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Convinced the tragic deaths of her loved ones were orchestrated by a famous novelist she worked for, Luciana turns to a journalist to expose her truth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wrath of God?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."

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Tyler Perry's Duplicity

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High-powered attorney Marley faces her most personal case yet when she is tasked with uncovering the truth behind the murder of her best friend Fela’s husband. With the help of her boyfriend – a former cop turned private investigator – Marley’s search for what really happened leads her down a treacherous maze of deception and betrayal.

Facing El Chapo

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Where it lives

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Names above the title

The people responsible.

Directed by

Sebastián Schindel

Written by

Pablo Del Teso · Sebastián Schindel

Diego Peretti

Diego Peretti

Kloster

Juan Minujín

Juan Minujín

Esteban

Macarena Achaga

Macarena Achaga

Luciana

Mónica Antonópulos

Mónica Antonópulos

Mercedes

Guillermo Arengo

Guillermo Arengo

Padre

Romina Pinto

Romina Pinto

Madre

Pedro Merlo

Pedro Merlo

Bruno

Court is in session

Put The Wrath of God on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.