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Ciao Alberto

Ciao Alberto

Animation · Comedy · Family · 2021

With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo—the imposing, tattooed, one-armed fisherman of few words—who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.

Movie details

Ciao Alberto

“They go together like pasta and pesto.”

2021 Animation · Comedy · Family 7m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo—the imposing, tattooed, one-armed fisherman of few words—who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ciao Alberto?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Kenna Harris

Written by

Scott Morse · Kenna Harris · Matthias De Clercq

Jack Dylan Grazer

Jack Dylan Grazer

Alberto Scorfano (voice)

Marco Barricelli

Marco Barricelli

Massimo Marcovaldo (voice)

Jacob Tremblay

Jacob Tremblay

Luca Paguro (voice)

Gino La Monica

Gino La Monica

Additional Voices (voice)

A

Arturo Sorino

Additional Voices (voice)

Court is in session

Put Ciao Alberto on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.