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Anchorman: The Legend of Ron Burgundy

Anchorman: The Legend of Ron Burgundy

Comedy · 2004

It's the 1970s and San Diego anchorman Ron Burgundy is the top dog in local TV, but that's all about to change when ambitious reporter Veronica Corningstone arrives as a new employee at his station.

Movie details

Anchorman: The Legend of Ron Burgundy

“They bring you the news so you don't have to get it yourself.”

2004 Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

It's the 1970s and San Diego anchorman Ron Burgundy is the top dog in local TV, but that's all about to change when ambitious reporter Veronica Corningstone arrives as a new employee at his station.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Anchorman: The Legend of Ron Burgundy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Wake Up, Ron Burgundy: The Lost Movie

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While Ron Burgundy's rivalry with Veronica Corningstone escalates quickly, a group of unprofessional thieves better known as 'The Alarm Clock' try to make the truth known, whatever that may mean...

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Comedy · 2009

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Where it lives

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Names above the title

The people responsible.

Directed by

Adam McKay

Written by

Will Ferrell · Adam McKay

Will Ferrell

Will Ferrell

Ron Burgundy

Christina Applegate

Christina Applegate

Veronica Corningstone

Paul Rudd

Paul Rudd

Brian Fantana

Steve Carell

Steve Carell

Brick Tamland

David Koechner

David Koechner

Champ Kind

Fred Willard

Fred Willard

Ed Harken

Chris Parnell

Chris Parnell

Garth Holliday

Court is in session

Put Anchorman: The Legend of Ron Burgundy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Arthouse Gremlin

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.