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To Sir, with Love II

To Sir, with Love II

Drama · TV Movie · 1996

After thirty years teaching in London, Mark Thackeray retires and returns to Chicago. There, however, the challenge of teaching kids in an inner city school proves to be too much to resist.

Movie details

To Sir, with Love II

1996 Drama · TV Movie 1h 32m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

1.7K votes

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

After thirty years teaching in London, Mark Thackeray retires and returns to Chicago. There, however, the challenge of teaching kids in an inner city school proves to be too much to resist.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over To Sir, with Love II?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Peter Bogdanovich

Written by

Philip Rosenberg

Sidney Poitier

Sidney Poitier

Mark Thackeray

C

Christian Payton

Wilsie Carrouthers

Dana Eskelson

Dana Eskelson

Evie

F

Fernando López

Danny Laredo

C

Casey Lluberes

Rebecca Torrado

Michael Gilio

Michael Gilio

Frankie Davanon

L

LZ Granderson

Arch Carrouthers

Court is in session

Put To Sir, with Love II on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.