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Definitely, Maybe

Definitely, Maybe

Comedy · Romance · 2008

When Will decides to tell his daughter the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future.

Movie details

Definitely, Maybe

“Three relationships. Three disasters. One last chance.”

2008 Comedy · Romance 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

When Will decides to tell his daughter the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Definitely, Maybe?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Danny Muldoon, a Chicago policeman, still lives with his overbearing mother Rose. He meets and falls in love with Theresa Luna, whose father owns the local funeral parlour. Naturally, his mother objects to the relationship, and Danny and Theresa must either overcome her objections or give up the romance.

Where it lives

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Names above the title

The people responsible.

Directed by

Adam Brooks

Written by

Adam Brooks

Ryan Reynolds

Ryan Reynolds

Will Hayes

Abigail Breslin

Abigail Breslin

Maya Hayes

Elizabeth Banks

Elizabeth Banks

Emily

Isla Fisher

Isla Fisher

April

Rachel Weisz

Rachel Weisz

Summer Hartley

Kevin Kline

Kevin Kline

Hampton Roth

Derek Luke

Derek Luke

Russell McCormack

Court is in session

Put Definitely, Maybe on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.