“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The Great Magician
Drama · Mystery · 2011
In the years after the Revolution, China broken up into fiefdoms held by warlords, who are busy fighting each other. One warlord has imprisoned a girl and wants her to be his seventh wife, but he's too honorable to force her. The local revolutionaries wants to kill him and bring back the republic. But when a stranger returns from abroad with mastery of magic to recover the girl he loved, who is tricking whom and who will win at the end?
The Great Magician
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
In the years after the Revolution, China broken up into fiefdoms held by warlords, who are busy fighting each other. One warlord has imprisoned a girl and wants her to be his seventh wife, but he's too honorable to force her. The local revolutionaries wants to kill him and bring back the republic. But when a stranger returns from abroad with mastery of magic to recover the girl he loved, who is tricking whom and who will win at the end?
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Great Magician?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Derek Yee Tung-Sing
Written by
Chun Tin-Nam · Derek Yee Tung-Sing · Lau Ho-Leung
Put The Great Magician on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






