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Holes

Holes

Adventure · Family · Drama · 2003

After being wrongfully convicted for stealing a pair of shoes, Stanley Yelnats is sent away to Camp Green Lake, a boys detention facility where inmates are forced to dig holes all day in the hot desert sun as a form of character building. As he endures the brutal routine, Stanley begins to uncover a hidden truth behind the camp, one that connects to a dangerous secret—and possibly Stanley’s family itself.

Movie details

Holes

“Some secrets are too big to keep hidden.”

2003 Adventure · Family · Drama 1h 57m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

After being wrongfully convicted for stealing a pair of shoes, Stanley Yelnats is sent away to Camp Green Lake, a boys detention facility where inmates are forced to dig holes all day in the hot desert sun as a form of character building. As he endures the brutal routine, Stanley begins to uncover a hidden truth behind the camp, one that connects to a dangerous secret—and possibly Stanley’s family itself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Holes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Andrew Davis

Written by

Louis Sachar

Shia LaBeouf

Shia LaBeouf

Stanley

Sigourney Weaver

Sigourney Weaver

Warden

Jon Voight

Jon Voight

Mr. Sir

Patricia Arquette

Patricia Arquette

Kissin' Kate Barlow

Tim Blake Nelson

Tim Blake Nelson

Dr. Pendanski

Dulé Hill

Dulé Hill

Sam

Henry Winkler

Henry Winkler

Stanley's Father

Court is in session

Put Holes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.