The defence The Auteur Devotee
“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.
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The Lost Leonardo
Documentary · History · 2021
London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.
Movie details
The Lost Leonardo
“The inside story of the painting that seduced the world.”
2021 Documentary · History 1h 35m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.2 / 10
Community rating
London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Lost Leonardo?
For the defence
The Auteur Devotee
“You watch the director, not the movie.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Andreas Koefoed
Written by
Andreas Koefoed · Christian Kirk Muff · Mark Monroe · Duska Zagorac
Georgina Adam
Self - Writer and Journalist
W
Warren Adelson
Self - Art Dealer
E
Evan Beard
Self - Banker
Y
Yves Bouvier
Self - Freeport Owner and Businessman
A
Alexandra Bregman
Self - Writer
A
Alison Cole
Self - Editor
D
Dianne Dwyer Modestini
Self - Restorer
Court is in session
Put The Lost Leonardo on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.