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Warriors of the Wind

Warriors of the Wind

Adventure · Animation · Fantasy · 1984

After a global war, the seaside kingdom known as the Valley of the Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it. Led by the courageous Princess Nausicaä, the people of the Valley engage in an epic struggle to restore the bond between humanity and Earth.

Movie details

Warriors of the Wind

“Flee, fly, foe, fun! Here's an adventure for everyone.”

1984 Adventure · Animation · Fantasy 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.9 / 10

Community rating

After a global war, the seaside kingdom known as the Valley of the Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it. Led by the courageous Princess Nausicaä, the people of the Valley engage in an epic struggle to restore the bond between humanity and Earth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Warriors of the Wind?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Hayao Miyazaki

Written by

Hayao Miyazaki

Sumi Shimamoto

Sumi Shimamoto

Nausicaä (voice)

Ichiro Nagai

Ichiro Nagai

Mito (voice)

Gorō Naya

Gorō Naya

Yupa (voice)

Yoji Matsuda

Yoji Matsuda

Asbel (voice)

Yoshiko Sakakibara

Yoshiko Sakakibara

Kushana (voice)

Iemasa Kayumi

Iemasa Kayumi

Kurotowa (voice)

Hisako Kyoda

Hisako Kyoda

Obaba (voice)

Court is in session

Put Warriors of the Wind on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.