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Barbarella

Barbarella

Science Fiction · Adventure · Comedy · 1968

In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.

Movie details

Barbarella

“See Barbarella do her thing!”

1968 Science Fiction · Adventure · Comedy 1h 38m

Critical arithmetic

The consensus, allegedly.

IMDb

5.9 / 10

39.2K votes

Rotten Tomatoes

64 %

Tomatometer

Metacritic

51 / 100

Metascore

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Barbarella?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Roger Vadim

Written by

Roger Vadim · Vittorio Bonicelli · Brian Degas · Terry Southern

Jane Fonda

Jane Fonda

Barbarella

John Phillip Law

John Phillip Law

Pygar

Anita Pallenberg

Anita Pallenberg

The Great Tyrant

Marcel Marceau

Marcel Marceau

Professor Ping

Claude Dauphin

Claude Dauphin

President of Earth

Milo O'Shea

Milo O'Shea

Concierge / Durand-Durand

Véronique Vendell

Véronique Vendell

Captain Moon

Court is in session

Put Barbarella on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.